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Description
O-Chair, verschiedene FarbenInspiriert vom franzsischen Stil und Lebensgefhl der 60er Jahre, hat der in Dnemark hergestellte O Chair unseres Partners JENSENplus eine lange Designgeschichte. Das zeitlose und klassische Design wird durch seinen natrlich geringen kologischen Fuabdruck ergnzt. Mit seiner runden Form und dem schlanken Design ist der O Chair eine Neuinterpretation und eine Hommage an den berhmten Thonet Stuhl. Ein Klassiker neu erfunden in nordischem Design und
Inspiriert vom französischen Stil und Lebensgefühl der 60er Jahre, hat der in Dänemark hergestellte O-Chair unseres Partners JENSENplus eine lange Designgeschichte. Das zeitlose und klassische Design wird durch seinen natürlich geringen ökologischen Fußabdruck ergänzt.
Mit seiner runden Form und dem schlanken Design ist der O-Chair eine Neuinterpretation und eine Hommage an den berühmten Thonet-Stuhl. Ein Klassiker neu erfunden in nordischem Design und Qualität - er verspricht einen langen Lebenszyklus und ein zeitloses Design.
JENSENplus geht bei der Produktion des O-Chairs keine Kompromisse ein und produziert lediglich lokal, um die CO2-Emissionen auf ein Minimum zu beschränken und hochwertige Materialien zu verwenden.
'Eleganz' ist definitiv das beste Wort, um den O-Stuhl zu beschreiben. Das schlanke, aber robuste Stahlgestell macht den O-Chair perfekt fürs Homeoffice, Arbeitszimmer zuhause, kleine Räume oder Lounge- und Wartebereiche. Er kann aber auch als Esszimmerstuhl eingesetzt werden. Ob als Einzelstück oder in Kombination mit anderen Stücken - der O-Chair ist definitiv ein Blickfang.
Der O-Chair wird mit Naturlederbezug an der Rückenlehne geliefert und mit Stoff auf der Sitzfläche (Farbe kannst du aussuchen).
Details
- Esszimmerstuhl/Bürostuhl/Schreibtischstuhl/Konferenzstuhl
- Rahmen: 16mm schwarz pulverbeschichteter Stahl
- Rückenlehne: Mit Naturlederbezug oder mit Stoff gepolstert
- Sitzfläche: Mit Stoff bezogen
- Abmessungen: Gesamthöhe: 72 cm | Sitzhöhe: 48 cm | Breite: 50 cm | Tiefe: 51,5 cm
Details zu den Bezugsstoffen
- Fjord (92% Schurwolle, Kammgarn; 8% Nylon): Bei der Fertigung von Fjord wird ein Mélange-Garn mit einem einfarbigen Garn kombiniert, wodurch perlenartige Punkte erzeugt werden, die auf der Oberfläche des Textils hervortreten. Der elegante Ausdruck spiegelt eine der wesentlichen Inspirationsquellen für das Design wider: Mondlicht, das wie Perlen auf dem sich kräuselnden Wasser eines norwegischen Fjords glitzert.
- Remix (90% Schurwolle, Kammgarn; 10% Nylon) wirkt aus der Ferne betrachtet einfarbig, zeigt jedoch beim näheren Hinsehen dezente Details und Kontraste. Das Textil hat eine feste, minimalistische Bindung und erhält sein lebendiges Farbspiel durch eine Kombination aus zwei unterschiedlichen Melange Garnen, die zusammen drei Schattierungen ergeben.
- Hallingdal ist aus 70% Schurwolle und 30% Viskose gefertigt – zwei Materialien, die sich wunderbar ergänzen: Die Wolle verleiht dem Material ausgezeichnete Haltbarkeit und Flexibilität, während die Viskose den Farben Brillanz und Tiefe gibt. Beide Garne werden vor dem Weben gefärbt, was die reichhaltige Textur des Materials wunderbar zur Geltung bringt.
- Re-wool (45% Schurwolle, Kammgarn 45%, recycelte Wolle, 10% Nylon): Der aus 45% recycelter Wollte gefertigte Re-wool ist ein ausdrucksstarker Möbelstoff mit nachhaltigem Profil. Der Stoff wird zum Teil durch die Wiederverwendung von Abfällen von Garnspinnereien in Großbritannien hergestellt. Re-wool erinnert an farbenfrohe Nähte auf dunklerem Untergrund und zeichnet sich durch eine außergewöhnliche Farbtiefe aus, die ein dynamisches Spiel auf der Oberfläche des Stoffs erzeugt, wenn Möbel damit bezogen werden.
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4.1 ★★★★★
Based on 6 reviews
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Product Reviews
★★★★★ 1
Disappointing
Format: Paperback
Disappointing
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Reviewed in the United States on March 8, 2025
★★★★★ 5
Being “Othered” is Real
Format: Kindle
Sky Full of Elephants opens with a haunting and unforgettable image: all the white people walking silently into bodies of water. That beginning alone tells you this is not a book that will play it safe. It is bold, layered, and deeply intentional.
The writing is beautiful and the story forces readers to confront what Black history truly is: American history. The novel doesn’t just imagine a world; it holds up a mirror to the one we’ve lived in and the one we’re still shaping. It explores identity, belonging, grief, and survival in a way that feels both speculative and painfully real.
As someone who grew up attending predominantly white schools, I connected deeply with Sidney’s experiences. Being “othered” (constantly reminded that you are different, that you don’t quite belong) leaves marks that follow you long after childhood ends. Some of the moments Sidney endures felt painfully familiar, and I found myself reflecting on my own younger self while reading.
What struck me most, though, was reading this story as a mother.
I have a biracial daughter, and her experience has been very different. She has never been made to feel like she doesn’t belong. She has never been othered. She has always been rooted in her Black identity, primarily raised by her Black mother, surrounded by family who affirm her. Even after I remarried and joined a Black family, she was embraced fully, never questioned, never treated as “less than,” never made to feel separate.
Reading Sidney’s journey made me profoundly grateful that my daughter’s story has unfolded differently. It also reminded me how much environment, affirmation, and community matter in shaping a child’s sense of self.
Sky Full of Elephants is more than a speculative novel. It is a meditation on race, memory, and belonging. It asks hard questions about America while honoring the fullness and complexity of Black identity.
This book lingers with you. It sparks reflection. It opens conversations.
And for me, it felt both personal and powerful.
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Reviewed in the United States on February 14, 2026
★★★★★ 4
Good Read!
Format: Audiobook
I read this along with my son and his girlfriend in a family “book club”. We had a good discussion about the ending, as we each had differing perspectives, but that was fun! The book was really interesting, and the characters were so well defined and deeply moving. Good read, but the ending left us a little confused.
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Reviewed in the United States on March 16, 2026
★★★★★ 5
Thought provoking
Format: Kindle
Sky Full of Elephants is a work of speculative fiction that begins with the premise that the white population of the United States has been wiped out. Starting a year after “the event” and following Charlie, a man who spent 20 years in prison due to a cowardly lie, and his resentful, biracial 19 year old daughter, who witnessed her only known family drown themselves, it is at its core a quest for identity in its many forms and how trauma can co-opt that search. In rating and reviewing this book, I’m aware that my lens as a Gen-X, cis-het, white woman, will have a differing view from others’ lived experiences. In reading other reviews, I definitely saw points that I didn’t consider, which I hope is the main point of the book. I do think, as a work of speculative fiction, that it does require the suspension of disbelief from the get go. It is a philosophical “what if” that Mr. Campbell invites the reader to consider.
Intrigued by the premise, I was drawn into the story due to Mr. Campbell’s lyrical writing style. The narrative had a rhythmical flow to it that supported the world building and characterizations. I found Charlie to be a very sympathetic character, rebuilding a life shattered by lies in a new world and confronted with the daughter he never had a chance to know. Sydney, Charlie’s daughter, was more of a struggle to empathize with. While her feelings were justified and understandable, her growth throughout the novel was erratic. As the story has an ambiguous ending, perhaps her character will continue to improve. For supporting cast, the grumpy pilot Sailor and his nonbinary child, Zu, offer a counterpoint to Charlie and Sidney’s emerging relationship. The king and queen of Alabama and the thriving town of Mobile were well fleshed out. The Walkers and Sidney’s Aunt Agatha in Orange Beach represented those who were lost in their own way, either due to clinging to their former proximity to whiteness or to the religious biases they were raised with. I found the Walkers to be the most tragic of all.
The questions of identity throughout the story are what kept be invested throughout. Are we defined by the color of our skin, our behaviors, the groups we belong to, the choices we make? Are others more valuable or worthy who don’t suffer the same things we do? Does there have to be those that are “lesser” to make us feel whole? As a trauma survivor with C-PTSD, I struggle with my own issues of identity and worthiness, and as a former Special Education teacher, I’ve been witness to that struggle in others. I have never understood or accepted the idea of White Supremacy or Christian Supremacy or any of the myriad ways that humanity continues to other each of us. In reality, there is no “us” or “them” only”we”. Charlie questions who he is as a Black man in the US, a convict, a teacher, a father, and ultimately a fixer and healer. Sidney grapples with her biracial otherness, her wealthy upbringing and sheltered life, the trauma of abandonment, and the lies that her life was built on.
The ethical question of the machine at the epicenter of the event adds another layer to the story. While the effects of the first usage were unintended, once they were known is it right to continue to fix it and use it again? Can healing a part of collectiveness that harms or destroys another part ultimately be worth the cost? The world and its people are broken and desperately need healing. But just like the question of eugenics, what of value is lost when specific traits are universally stripped away? And who gets the to decide what is of value anyway? The ambiguity of the ending doesn’t answer the question entirely of what happens when the machine is repaired, but Charlie’s ability to fix things leads me hopeful. Personally, I cared enough about these characters to be interested in a sequel.
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Reviewed in the United States on February 24, 2026
★★★★★ 5
A book that makes you think!
Format: Paperback
This was a super good read, very imaginative. It dealt with identity, belonging, insecurities, family matters. The way it was written was unlike any book I’ve read this year.
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Reviewed in the United States on May 4, 2026